Music, Fashion, Film: How Charli xcx Continues to Rock the Music Industry’s Moulds
When I first heard Charli xcx was making a rock-inspired album, I was admittedly sceptical. However, as singles ‘SS26’, ‘Wink Wink’, and ‘Camera’ dropped, I found myself appreciating her new musical direction. Released on July 24th 2026, Music, Fashion, Film received generally positive critical reception, but has consistently been compared to xcx’s latest album, Brat. Whilst this allows for interesting discussion, I believe the discourse should more thoroughly consider xcx’s emergence as a multimedia female artist.
Don’t get me wrong, I loved both Brat and Brat and It’s Completely Different but Also Still Brat, xcx’s collaborative album with artists such as Addison Rae, Lorde, and Billie Eilish. However, the creative collaboration on MFF feels integral to the album’s purpose. Shot by Scottish photographer Aidan Zamiri, the album cover depicts John Cale, Marc Jacobs, and Martin Scorsese, three respective embodiments of music, fashion, and film. Cale, who recently collaborated with xcx on ‘House’, is 84 years old but continues to make records and tour around the UK and Europe. Last year, I saw him at the Pavilion Theatre in Glasgow for his POPtical Illusion tour: despite his age, he performed with the same vigour as in the days of The Velvet Underground.
Feminism, Food Fights and Ferality in Charli XCX’s ‘brat’ (2024) and Věra Chytilová’s ‘Daisies’ (1966)
In 1966, Czech director Věra Chytilová released Daisies, a radical film about two young women who, upon declaring the world corrupt, decide they may as well be corrupt too. By 1968, it was censored by the Czechoslovak government — ironically proving Chytilová’s point: the world had indeed gone bad, and patriarchy was at the heart of it.

