Why the Vampire Trend is Immortal
Twilight was a big deal. The 2008 supernatural romance film hit screens with a bang, and everyone had something to say about it. Even though the craze for the saga has faded with time, nobody can deny the impact it’s had on teen pop culture. Hitting the peak of its popularity with the final film’s release in 2012, it seemed that every girl had an opinion on whether glistening vampire Edward or broody werewolf Jacob made the better match for Bella. This was the pinnacle of the so-called ‘vampire trend’, which also saw the success of TV series like True Blood and The Vampire Diaries. Many look back at this time with nostalgia (even if such feelings are met with ridicule from the actors themselves), but the 2020s are seeing a resurgence in vampire-related content.
Christmas Films and the Demonisation of the Big City
The Hallmark Christmas movie formula is one so well-known that it has an almost mythical status in popular culture. A woman living in the city, with a high-powered career and an endless stream of meetings and espressos, goes back to her rural hometown, falls in love with a man in a plaid shirt, all while discovering the joys of Christmas, and ultimately, becoming a housewife. They’re undeniably cosy and sweet, and the formulaic approach means you can half-watch whilst wrapping presents and still follow the plot. But why does festivity have to come at a cost to life in the metropolis?
Why the 2022 John Lewis Christmas Ad Matters
Every year, British retail giants John Lewis release a heart warming festive advert, and 2022’s edition has been met with both praise and criticism. Ranked as the 3rd best Christmas ad of this year (Saville, 2022), ‘The Beginner’ tells the story of a soon-to-be foster father learning to skateboard, trying his best to fit in practice sessions between his regular 9 to 5; at first, it appears as though he may be pursuing a hobby simply to escape the mundaneness of life, as much as it may hurt and frustrate him. It’s then revealed that he’s doing it to share a common interest with a teenager he’s fostering, who arrives at his doorstep with her own skateboard, nervous about joining a new family for Christmas (John Lewis, 2022). Viewer opinions seem to be divided; on the one hand, some appreciate the sentiment that the idea of a picture-perfect biologically-related family on Christmas doesn’t have to set the standard for ‘traditional’ norms. On the other hand, some viewers have noted that the ad could be misinterpreted and any foster children watching might receive the wrong message (more on this later). You may also be wondering how 2022’s ad has compared to previous years — and what other elements have led to the public deeming it a success or a flop.

