The Cat in the Hat Has Come to Glasgow, and TikTok Is Terrified
There is apparently a man in a Cat in the Hat costume terrorising Britain. He has been spotted outside houses, wandering around housing schemes and lurking beneath streetlights. Parents are warning their children, siblings are filming response videos and, somehow, even grannies have got involved. Now, according to TikTok, he has made his way to Glasgow.
Except, of course, he isn't real.
The latest Cat in the Hat panic is an AI-generated internet hoax, with images and videos placing the character into recognisable streets and residential areas. What makes it so effective is how quickly the story has become localised. It isn't simply the Cat in the Hat is scary; it is the Cat in the Hat is in Glasgow. Then he is in another town. Then another. Suddenly everyone knows someone who has supposedly seen him.
It feels remarkably similar to the killer clown panic of 2016. Back then, sinister-looking clowns were supposedly appearing outside schools, in parks and around residential areas. Some sightings were real, some were pranks and plenty were rumours, but the internet transformed them into a nationwide phenomenon. The Cat in the Hat is essentially the AI-era version: a recognisable character, a slightly sinister image, a supposed sighting and an audience ready to make it bigger.
The Romance Economy: Pink Pill Culture & Dating Strategy
A few months ago, I realised I had become, at least in part, what the internet now calls "pink-pilled".
Not because I wanted to marry a millionaire or because I believed women should manipulate men into paying for their lifestyles, but because, after years of hearing women apologise for wanting more, something about the rhetoric felt refreshing. My TikTok feed became increasingly populated with videos about "high-value men", "provider mindsets" and Shera Seven's now infamous phrase, "sprinkle sprinkle". I found myself agreeing with more of it than I expected. After all, what was so controversial about believing women deserved better?
(Don’t) Stop Filming me Courtney: Paul Black on Virality, Class, and all things Glasgow
When Paul Black speaks, it’s as if Glasgow itself has picked up the mic: fast, self-aware, and never quite willing to take itself too seriously. He’s the kind of performer whose offhand catchphrases end up tattooed on fans, whose earliest “punk edits” on Tumblr made him internet-famous before he even showed his face, and whose Glaswegian humour now pulls in thousands who see their own lives reflected in his work. In conversation, Black moves between razor-sharp wit and moments of sincerity, weighing the chaos of viral fame against the realities of being a working-class artist from his home city.

